Do you sell tickets for an event, performance or venue?
Find out more about Eventfinda Ticketing.

You missed this – Subscribe & Avoid FOMO!
Removing the Traces: Aspects of Abstraction

When:

Wed 31 Jan 2018, 10:00am–4:00pm
Thu 1 Feb 2018, 10:00am–4:00pm
Fri 2 Feb 2018, 10:00am–4:00pm
Sat 3 Feb 2018, 10:00am–4:00pm
Sun 4 Feb 2018, 10:00am–4:00pm

Where: Collie Art Gallery, 134 Throssell Street, Collie Burn, WA South

Restrictions: All Ages

Ticket Information:

  • Admission: Free
How does this work?
Glad you asked!
  • Choose LatitudePay
    at the checkout
    There's no extra cost to you - just select it as your
    payment option.
  • Approval in
    minutes
    Set up your account and we'll tell you straight away
    if approved.
  • Get it now.
    10 weekly payments
    It's the today way to pay, just 10 easy payments.
    No interest. Ever.
If you're new to LatitudePay, you'll need this stuff:
  • Be over 18 years old
  • An Australian driver’s licence or passport
  • A couple of minutes to sign up,
    it’s quick and easy
  • A credit/debit card (Visa or Mastercard)

Listed by: whispers

This exhibition presents intriguing aspects of south-west landscape from the Janet Holmes à Court Collection. The works included individually demonstrate varying degrees and methods of abstraction e.g. ultra-simplification, gestural and expressive brushwork, flattening of the picture surface and saturated colour, whilst maintaining the formal principles of line, form, shape, value, movement and composition. The real subjects recede and the aesthetics become the dominant factors.

Within this abstract landscape of the exhibition, there are interjections of reality—‘real’ trees and wildflowers. Important that these remain in the space as reminders because it seems to me that we are busy still doing our best to remove forests and flora as fast as industry and developers can manage it. Prudent to slow down and think about the reality we’ll be left with.

Also occurring occasionally in the exhibition are demonstrations of Aboriginal longstanding presence. Removing the traces of the reality of aboriginal presence and ownership of country was pretty easy to do under the legal mandate of terra nullius. This was followed up by forced dispossession, imprisonment, extermination, assimilation and suppression of truth. A deliberate and sustained abstraction of our history took place. We managed to remove all traces of a particular reality and maintained only the essentials of the history suited to our purposes. These days, ever so slowly, the reality of this history is being reconstituted.

The purpose of this exhibition is to share some significant and captivating abstract works from the collection, works representing the essence of land, forest and water. I hope I’ve created a calm and meditative space which gives room for reflection.

Sharon Tassicker
Collection and Exhibitions Manager
Janet Holmes a Court Collection