Do you sell tickets for an event, performance or venue?
Find out more about Eventfinda Ticketing.

You missed this – Subscribe & Avoid FOMO!
The Australian Ballet School – Showcase 2019 may be the upcoming event you’re looking for.
The Australian Ballet School Summer Season


Fri 7 Dec 2018, 7:30pm–9:30pm
Sat 8 Dec 2018, 1:30pm–3:45pm
Sat 8 Dec 2018, 7:30pm–9:45pm

Where: The Arts Centre Melbourne, 100 St Kilda Road, Southbank, Victoria

Restrictions: All Ages

Ticket Information:

  • Premium Standard: $102.00
  • Premium Concession, Child & Groups: $77.00
  • A Reserve Standard: $73.00
  • A Reserve Concession, Child & Groups: $55.00
  • B Reserve Standard: $55.00
  • B Reserve Concession, Child & Groups: $35.00
  • Additional fees may apply

Related Artists:

Listed by: pbpmedia

Enter a world of romance and refinement as The Australian Ballet School presents its highly anticipated end of year performance.

Featuring over 100 students, the program of classical and contemporary works will transport audiences to a realm of artistry and emotion. This season is the result of a year of exploration, learning and inspiring dedication by the talented students, and a unique experience not to be missed.

The Summer Showcase program features:

Wolfgang Dance, choreographed by Simon Dow using Mozart’s wonderful, well-loved first movement Allegro from Eine Kleine Nachtmusik.

Waltz from Birthday Celebration, choreographed by Mark Annear, was created for The Australian Ballet School’s 40th Anniversary Gala in 2004 and highlights the flow and beauty of the classical ballet technique.

Heart Strings with choreography by Contemporary Teacher and Resident Choreographer, Margaret Wilson and performed by Level 6 students, is a suite of short dances, each with its own characteristics. The piece depicts “the group” and its dynamics whilst coinciding with one person’s search for identity and belonging. Heart Strings offers a closer look at personalities and some of the possible issues, real or imagined, in adolescent life.

La Sylphide, choreography after August Bournonville, is an adaptation of an 1832 French ballet of the same name. The original work showcased the technique of the great ballerina Maria Taglioni and announced a new Romantic era of dance. The preeminent 19th-century Danish choreographer August Bournonville was the first choreographer to recreate La Sylphide and it remains one of his most celebrated works.

In La Sylphide, the human realm of a small Scottish community—evoked by folk songs in Herman Løvenskiold's score—meets a spiritual realm, with James, a classic Romantic hero, bewitched by a beautiful and otherworldly sylph.

The matinee performances have two additional pieces—Character Dance and Haydn Symphony, with After School students:

Character Dance choreography by Christine Vavladellis. Character class is an integral part of a dancer’s training and development. There are many examples of character dances within full length ballets, not to mention adaptations of character dances for ballet which include the national dances of Hungary, Russia, Poland, Italy and Spain; csárdás, mazurka, tarantella, flamenco, etc. Some of the obvious benefits of character dance training are the variety of different musical rhythms and syncopations, flexibility and strength, and stamina development.

Haydn Symphony choreography by Paul Knobloch, is inspired by the music of Franz Joseph Haydn, considered the most prolific and prominent composer of the classical period. Driven by the dynamic melody of the score, Paul Knobloch found a way to replicate the music through movement, challenging the dancers to move faster, sharper and with great clarity, at times almost matching each note heard with a movement phrase or step.