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Let the light in.
Why do so many great poets celebrate the ‘crack that lets the light get in’? In Liza Lim’s A Sutured World the cello pours out a vein of illumination that binds different orchestral worlds together.
Tchaikovsky’s Fourth Symphony marked the composer’s triumphant climb out of a period of depression, while Ravel’s La Valse is a musical paradox, hitching a crumbling past to an oncoming sense of the modern.
Duration: approx. 2 hours including interval
Featuring
Melbourne Symphony Orchestra
Jaime Martín conductor
Nicolas Altstaedt cello
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