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I'm With Her


Tue 16 Apr 2019, 7:30pm

Where: City Recital Hall, 2 Angel Place, Sydney CBD, New South Wales

Restrictions: All Ages

Ticket Information:

  • A Reserve | City Recital Hall Member: $55.00
  • B Reserve | Standard: $55.00
  • B Reserve | Concession: $50.00
  • B Reserve | City Recital Hall Member: $45.00
  • A Reserve | Under 30: $40.00
  • B Reserve | Under 30: $40.00
  • A Reserve | Concession: $60.00
  • General Admission: $65.00
  • Additional fees may apply

Listed by: touringw83

For the first time ever, I’m With Her will enchant Australian audiences with performances at esteemed, intimate theatres—City Recital Hall Sydney and Melbourne Recital Centre as well as at Bluesfest’s 30th Anniversary.

The band of extraordinary chemistry and exquisite musicianship, I’m With Her features Sara Watkins, Sarah Jarosz, and Aoife O’Donovan. Collectively, the multi-Grammy-Award-winners have released several solo efforts, co-founded two seminal bands (Nickel Creek and Crooked Still), and contributed to critically acclaimed albums from a host of esteemed artists.

Four years after their formation at an impromptu show at Sheridan Opera House in Colorado, USA the band released their February 2018 debut album ‘See You Around’. From its very first moment ‘See You Around’ reveals the commitment to creating a wholly unified band sound. With each track born from close songwriting collaboration, I’m With Her builds an ineffable magic from their fine-spun narratives and breathtaking harmonies. The result is an album both emotionally raw and intricate, revealing layers of meaning and insight within even the most starkly adorned track.

I’m With Her have honed a special, family-like chemistry, garnering acclaim for their unique blend of instrumental interplay combined with their indelible harmonies. Touring in support of the new album, the band have sold out shows across the US and Europe and have also made appearances on Jimmy Kimmel Live!, CBS Saturday Morning and NPR’s Tiny Desk Concerts.

"Stunning female harmony singling virtuosity…when all three voices are going—hell, when even just one or two are going—it’s bliss." - Variety

"Sharing one microphone onstage was a subtle show of mastery, exposing every musical detail. The balance depended entirely on the trio’s meticulously plotted arrangements and intent listening." - The New York Times

"Each note was somehow more angelic than the one that came before…It felt like their voices filled every square inch of the vast auditorium, and we could have stayed their all night." - Glide Magazine