Methods for Collapse: Gabriella Imrichova

Unlocking the gallery from its usual function, the work enters un-made and opens to the public as a work in progress. The gallery is now a studio space, and the public are invited to witness the writing, development, de-development( deterioration), and “performance”. Made fast, with no unveilings, the work is, through numerous access points (durational live-streaming, screen-sharing), entirely transparent to the public.

The stages:

Writing a site-specific score for five performers.
Performers learn the score.
The score is pushed through multiple processing techniques.
The work is looped over and over, slowly disintegrating into a site for further collapse; aka the “performance
A day-by-day schedule will be posted and made public closer to the date.

Methods for collapse is an attempt to parallel a queer desire for becoming unlocatable through the process of collapsing scores and their/any coherent semiotics.

Image courtesy of Gabriella Imrichova.