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Seeing the Forest and Trees Exhibition

Ticket Information

  • Free Admission

Dates

  • Fri 22 Mar 2024, 9:00am–5:00pm
  • Sat 23 Mar 2024, 9:00am–4:00pm
  • Tue 26 Mar 2024, 9:00am–5:00pm
  • Wed 27 Mar 2024, 9:00am–5:00pm
  • Thu 28 Mar 2024, 9:00am–5:00pm

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Restrictions

All Ages

Listed by

infonfm

This ceramic exhibition celebrates the beauty and diversity of the trees that define our landscape. Drawing on the concept of forest bathing (shinrin-yoku) the focus is on the key elements of trees – the textures of bark, the structure of tree trunks, the patterns of light, leaves and branches. The viewer is invited to pause, focus on details, and take the time to see both the forest and the trees.

Works in the exhibition include delicate coloured porcelain vessels that evoke the light and colours of the NSW South Coast spotted gum forests. Sculptural tree forms that evoke the finely textured twisting growth of native eucalypts, the more symmetrical form of European trees and the deeply creviced texture of pine bark. Vessels and platters, decorated with overlapping shapes of leaves and branches create imagery of the parks and bushland that are a signature of Canberra vistas. The use of simple shapes, bold colour and line evokes thoughts of balloons and the simple joys of children running and playing in the park.

About the Artist:

Jo Townsend Has been a self-employed ceramic artist since 2014. Following a career in teaching (high school & college art and english) and the Australian Public Service she has been building a retail body of work and refining her skills. She has been working with clay for around 25 years and is now focusing on developing the fine art and design side of her practice; she teach ceramics to adults at Canberra Potters as well as in her own studio.

Jo’s ceramics practice has two interconnected arms; a busy retail practice, making a range of products including jewellery, tableware, sculptures, light fittings, bathroom fittings and tiles and regular exhibitions enabling her to explore ideas, forms and surfaces in greater detail. The skills, forms and surfaces that she is known for her retail work inform the work she develop for exhibitions. Likewise, the opportunity to develop more complex ideas in her exhibition works flows into the pieces she make for her retail outlets.

The interaction of form and function is key to her work. Jo make things that are fit for purpose as well as beautiful to the eye and the touch. Her design process incorporates consideration of how the items will be used, cleaned and maintained. Jo also ensure that her work, such as light fittings, sinks and tiles can be installed using stand sized fittings and equipment. Jo’s work is inspired by the colours, shapes and patterns of the Australian landscapes and built environments.

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